Coming out of a cinema screening of Blade Runner in 1982, I was struck by this prophetic scene where Agent Deckard dictates successive zooms on a photo to his screen to advance his investigation.

This is probably what motivated me, in the 2000s, to rush out and buy the first prototypes of digital cameras.

I finally had in my hands this device that not only allowed me to freeze the moment, but now to enter the image, transform it in post-production, and even publish it online, well before mainstream photography left paper for the screen.

Since childhood, I have learned to recognize beauty in imperfection and harmony in disorder. Photography accompanies me like a personal, sincere language, which allows me to give another dimension to reality.